Sebastian StoskopffStrasbourg 1597-Idstein 1657 | |||
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Stilla Liv med en Staty och Skalen (mk05) Måleriet identifieringen:: 20249 Titta min galleri i Sverige |
Stilla Liv med en Staty och Skalen (mk05) Wood. 201/2 x 28 1/2~~( 52 x 73cm ) Wood,201/2_x_28_1/2''(52_x_73cm) |
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Stilla Liv med Bokna Ljus och Brons Staty (mk05) Måleriet identifieringen:: 20251 Titta min galleri i Sverige |
Stilla Liv med Bokna Ljus och Brons Staty (mk05) Segelduk. 20 x 27~~( 51 x 69 cm )Acquired i 1982 Canvas,20_x_27''(51_x_69_cm)Acquired_in_1982 |
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Still-Life with Glasses and Bottles Måleriet identifieringen:: 51004 Titta min galleri i Sverige |
Still-Life with Glasses and Bottles 1641-44 Oil on canvas, 122 x 99 cm 1641-44_ Oil_on_canvas,_ 122_x_99_cm |
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The Great Vanity Måleriet identifieringen:: 51005 Titta min galleri i Sverige |
The Great Vanity 1641 Oil on canvas 1641_Oil_on_canvas |
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Still-Life of Glasses in a Basket Måleriet identifieringen:: 63702 Titta min galleri i Sverige |
Still-Life of Glasses in a Basket 1644 Oil on canvas, 51 x 62 cm Mus?e de l'Oeuvre de Notre Dame, Strasbourg The most neglected area of French 17th-century painting is that of still-life. It is still sometimes mistakenly assumed that the work of still-life painters was insignificant in their time compared with the grand designs of Claude and Poussin but, with one major exception, all the main still-life painters worked in Paris; they were not provincial artists working in obscurity away from the mainstream of the development of painting. The exception was the obscure S?bastian Stoskopff, whose oeuvre has only recently been reconstructed. He was isolated in Strasbourg, the main town of the province of Alsace, which did not come under French rule until 1648 (although Strasbourg itself was not occupied until 1681). In the Middle Ages the artistic traditions of Alsace had their own flavour, being subjected to influences from central Europe, Italy, and, to a lesser extent, France. Stoskopff, however, was influenced by none of these traditions, being a totally isolated painter working in a style verging on the naive. Influences from such German still-life painters as Georg Flegel are discernible, but they merely be caused by the similarity of subject-matter rather than by any stylistic affinity. Stoskopff art's is unique. One of the best examples of his work is the Still-Life of Glasses in a Basket. The tonality is monochrome, and the glasses in the basket are positioned in disarray. To this day, waitresses in restaurants in the region collect the empty drinking glasses by placing them heaped up in a basket rather than balancing them on a tray. There is therefore no complex iconography behind such a depiction; it is just a careful record of an everyday sight.Artist:STOSKOPFF, S?bastien Title: Still-Life of Glasses in a Basket Painted in 1601-1650 , French - - painting : still-life 1644_Oil_on_canvas,_51_x_62_cm_Mus?e_de_l'Oeuvre_de_Notre_Dame,_Strasbourg_The_most_neglected_area_of_French_17th-century_painting_is_that_of_still-life._It_is_still_sometimes_mistakenly_assumed_that_the_work_of_still-life_painters_was_insignificant_in_their_time_compared_with_the_grand_designs_of_Claude_and_Poussin_but,_with_one_major_exception,_all_the_main_still-life_painters_worked_in_Paris;_they_were_not_provincial_artists_working_in_obscurity_away_from_the_mainstream_of_the_development_of_painting._The_exception_was_the_obscure_S?bastian_Stoskopff,_whose_oeuvre_has_only_recently_been_reconstructed._He_was_isolated_in_Strasbourg,_the_main_town_of_the_province_of_Alsace,_which_did_not_come_under_French_rule_until_1648_(although_Strasbourg_itself_was_not_occupied_until_1681)._In_the_Middle_Ages_the_artistic_traditions_of_Alsace_had_their_own_flavour,_being_subjected_to_influences_from_central_Europe,_Italy,_and,_to_a_lesser_extent,_France._Stoskopff,_however,_was_influenced_by_none_of_these_traditions,_being_a_totally_isolated_painter_working_in_a_style_verging_on_the_naive._Influences_from_such_German_still-life_painters_as_Georg_Flegel_are_discernible,_but_they_merely_be_caused_by_the_similarity_of_subject-matter_rather_than_by_any_stylistic_affinity._Stoskopff_art's_is_unique._One_of_the_best_examples_of_his_work_is_the_Still-Life_of_Glasses_in_a_Basket._The_tonality_is_monochrome,_and_the_glasses_in_the_basket_are_positioned_in_disarray._To_this_day,_waitresses_in_restaurants_in_the_region_collect_the_empty_drinking_glasses_by_placing_them_heaped_up_in_a_basket_rather_than_balancing_them_on_a_tray._There_is_therefore_no_complex_iconography_behind_such_a_depiction;_it_is_just_a_careful_record_of_an_everyday_sight.Artist:STOSKOPFF,_S?bastien_Title:_Still-Life_of_Glasses_in_a_Basket___Painted_in__1601-1650___,__French__-_-_painting__:_still-life |
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| Föregående Konstnär Nästa Konstnär | ||||||||||
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| Sebastian Stoskopff | ||||||||||
| Strasbourg 1597-Idstein 1657 | ||||||||||
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